5/16/2023 0 Comments Accompanist compose![]() While still being able to build new features. This functionality means you can migrate your existing View-based app to Compose Jetpack Compose was designed with View interoperability right from the start. To get started with using Compose in your app, see Set up Compose This page will help you add new Compose elements into yourĮxisting UI. It’s a good example of how Sims updated swing, making it a natural bridge into modern jazz.If you have an app with a View-based UI, you may not want to rewrite its entire Sims’ solo, relaxing the feel after Williamson’s turn beforehand, starts at 1:34. It’s a jumping swing track with a taut beat and a bebop edge. Two of the album’s four tracks, including “Howdy Podner,” were by tenor saxophonist Bill Holman. This quintet comprised Sims plus Ralph Penna on bass, Jimmy Pratt on drums, Kenny Drew on piano, and Stu Williamson on trumpet and valve trombone. Sims died in 1985 at the age of 59, leaving behind a legacy of swing-influenced improvisation that kept swing not only alive but relevant and cutting-edge long after the jazz mainstream had decided it was obsolete.Įnjoy these eight great tracks by Zoot Sims. The recordings they made together are legendary. ![]() Meanwhile, Sims made another important connection, fellow tenor sax player Al Cohn. ![]() So back Sims went to California, where Gerry Mulligan found him painting houses to make ends meet and offered him a more suitable job in his own ensemble. ![]() He soon joined the Stan Kenton band but squirmed under Kenton’s dictatorial leadership and his unforgivingly tight swing band arrangements. The next obvious move for an up-and-coming jazz musician was to try his luck in New York, which Sims did in the early 1950s. The foursome also made albums on their own. As an ensemble within the larger band, their intense polyphonic sound really helped set the Herman group apart. When Sims showed up, they became a quartet to be reckoned with, calling themselves the Four Brothers. Herman’s band already had three terrific sax players: Stan Getz, Herbie Steward, and Serge Chaloff. A few years later, he was snatched up by Woody Herman, and that’s when his career really took off. Playing mostly tenor but sometimes alto, he caught the attention of Benny Goodman, who invited him to join his ensemble in 1943. By the time he was 15, he knew jazz would be his life, so he dropped out of school and started touring, first with Bobby Sherwood’s big band, and then with Ken Baker’s. His biggest inspirations were Ben Webster and Lester Young (I wrote about Young in Issue 161), and he absorbed them like a musical sponge. Listening to Ray’s records got him hooked on jazz. ![]() When he was a kid, everybody in the house played an instrument – his older brother, Ray Sims, had a solid career as a big band trombonist – so Zoot took up the only one that no one else was using, the curved clarinet, which was so similar to a saxophone that it was sometimes called a saxonette. He liked to show off the tap steps his hoofer dad had taught him. Zoot Sims was a saxophonist’s saxophonist, a musician everybody wanted to work with because he made everything he played sound better.Ī native of California, John Haley Sims was born into vaudeville in 1925. He had the coolest name to go with his cool sound. ![]()
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